The Burgtheater is leaving its rivals coughing on fumes with a brilliant “Don Karlos”.
The theatre’s new director Martin Kusej had already staged the Friedrich Schiller play from 1787 at Munich’s Residenztheater. Creating a vile and hostile atmosphere, his four-and-a-half-hour Viennese version is pulling no punches. The Viennese “Don Karlos” has earned favourable reviews. It also received wide approval from audiences.
Schiller’s masterpiece portrays a bitter conflict between father and son and heinous political power games in in 16th century Spain. Thomas Loibl and Nils Strunk take lead roles in this compelling production.
“Don Karlos” will be performed tonight and on the 5th and 9th of December. For additional information on the prestigious theatre’s current repertoire, visit http://www.burgtheater.at
Photo: © Matthias Horn
Breathtaking landscapes, sumptuous still lifes and intimate portraits – the oeuvre of Pierre Bonnard is nothing short of fascinating. Now there is a chance to discover the ingenious painter’s achievements in Austria.
Vienna’s Bank Austria Kunstforum has dedicated a special exhibit to the artist who passed away in 1947. Bonnard’s brilliant Mediterranean town views and landscapes will let you yearn for a break in in the south. But “Die Farbe der Erinnerung” (The Colour of Memory) is teeming with surprises – early photographic experiments, preparatory sketches and a self-portrait conveying pure fragility are on display too.
Bonnard’s mind was a bottomless well of creativity, as this exhibition confirms. Building on loans from all over Europe and overseas, “Die Farbe der Erinnerung” will leave a long-lasting impression on each visitor.
German publishing house Hirmer’s excellent catalogue provides additional insights into the work and life of this outstanding artist.
Pierre Bonnard. Die Farbe der Erinnerung
By Matthew Gale
Published by Hirmer (www.hirmerverlag.de)
The Volkstheater board is in the firing line as the institution’s budget difficulties are intensifying. Its repertoire nevertheless holds some true gems.
It seems as if the state-funded theatre is going from bad to worse as far as its finances are concerned. Between 2015 and 2018, its plays had an attendance rate of just 56 per cent, including a considerable high number of free tickets. Nevertheless substantial sums will be invested in its infrastructure. Performances will take place at the adjacent Museumsquartier as of January to renovate the prestigious institution.
Volkstheater directors have never had a particularly experimental approach. But through the past decades, its bill has included not just solid performances of classic plays but also some spellbinding if not game-changing projects.
“Rojava”, a play on the dream of a functioning democracy in a war-ridden region, has stunned audiences earlier this year. Calle Fuhr’s adaption of “Die Leiden des jungen Werther” by Johann Wolfgang von Goethe has not disappointed either.
A New Year’s Eve performance of Max Frisch’s “The Arsonists” (Biedermann und die Brandstifter) is certain to be one of the cultural highlights of the final few weeks of the year.
Visit http://www.volkstheater.at for a detailed bill and information on tickets.
Photo: © Volkstheater / Instagram
Andrea Eckert and Markus Meyer complement each other brilliantly in an Akademietheater play featuring fantastic music.
“Sechs Tanzstunden in sechs Wochen” by American playwright Richard Alfieri portrays Lily, an ageing widow. Feeling lonesome, she decides to book dance lessons. Her teacher Michael helps her to crush the persistent bouts of self-doubt. As her health deteriorates, Michael stays by her side.
“Six Dance Lessons in Six Weeks” is a life-affirming play about friendship and compassion. Director Martina Gredler and set designer Sophie Lux have created a wonderful German adaption. Eckert and Meyer never disappoint while the band spread boundless joy. Spellbound audiences are guaranteed in Vienna on 14th, 27th and 31st of December.
Photo: © Reinhard Werner
Günter Franzmeier and Thomas Frank are putting in smashing performances in what is regarded as perhaps the finest part of the current Volkstheater bill.
Hungarian director Viktor Bodo has freshened up Max Frisch’s “Biedermann und die Brandstifter” (The Arsonists) from 1958 with hilarious interludes including a slow-motion basketball clash and pop karaoke.
The final performances of “The Arsonists” are scheduled for 23rd and 31st December.
Photo: © http://www.lupispuma.com / Volkstheater